Current Calls for Scores
Allen Strange Award - due August 24, 2009
Call for brass ensemble results



(from r. to l.) Rich Campbell, Karen P. Thomas, and Brian Fennelly
Out of 16 submissions, three works were chosen; Clarion Dances by Karen P. Thomas, Empirical Rag by Brian Fennelly, and Come on In by Rich Campbell. The works will be be performed at an upcoming concert TBA.
ABOUT THE PERFORMERS


Judson Scott and Brian Chin
Brian Chin is the Principal Trumpet of the Tacoma Symphony Orchestra and performs frequently with many local orchestras including the Seattle Symphony and the Pacific Northwest Ballet. Chin studied music in the New York and New Jersey areas under the tutelage of Peter Bond and James Pandolfi of the New York Metropolitan Opera Orchestra. He has a Masters Degree in Orchestral Trumpet from the Mason Gross School of the Arts at Rutgers University, where he graduated with Highest Honors in addition to a earning a double Bachelors Degree in Performance and in Education. Former faculty positions include professor of trumpet at The Westminster Conservatory in Princeton, NJ and The Pingry School, NJ. In addition to being an active orchestral trumpet player, Mr. Chin was recently conductor-in-residence with the Rutgers Alumni Wind Symphony, was a founding member of the New Jersey Chamber Brass, and is a sought-after teacher and clinician in the Puget Sound Area.
At home in a wide variety of styles, Judson Scott’s experience ranges from playing lead in West Side Story to performing Bach’s Magnificat on the natural trumpet. He is the principal trumpet of Northwest Sinfonietta and has performed with ensembles such as the Seattle Symphony, Seattle Opera and the 5th Ave. Theatre. Dr. Scott holds degrees from Baldwin-Wallace College, New England Conservatory and the University of Washington; he is currently on the faculty of the University of Puget Sound.

Allen Strange (1943-2008) composed for live electronic instrumental ensembles, for live and taped electronics with voices and acoustic instruments, and for the theatre. He was one of the leading authorities on analogue electronic music; his Electronic Music: Systems, Techniques, and Controls (1972) is now a classic text. He also wrote Programming and Meta-Programming the Electro-Organism (1974). With his wife, violinist Pat Strange, he wrote The Contemporary Violin (2001), an important resource for composers and performers. 